DIE BUTTERBROTEBESSERESSER OPER When we hear 'Italy

When we hear 'Italy

This epochal change can be seen in Arnold Schoenberg's work like in hardly any other complete work

which is about a debate about a new method of execution in which the unsuspecting convicts are made to experience their crime first hand until they die

Even on its anniversary

DIE BUTTERBROTEBESSERESSER OPER When we hear 'ItalyDANIEL GROSSMANN Musical Director GUSTAVO STRAUSS Composition NADIA BUDDE Libretto, Illustration, Painting SAPIR HELLER Director ASISA HAFEZ Theatre education dramaturgical consulting REBECCA MARIA FISCHER Assistant Director VIKTOR REIM Stage and Props ISABELLE BARNES Costume Two peoples and a question that turns neighbors into enemies: Where does the butter go? On the top or bottom of the bread? Which is the right side? And who decides that anyway? A